He asserts himself « expressionist » and « narrative », but also pursued by the idea of chaos. Several disordered narratives interfere in a single painting, as Annie Pagès. As Dessin napolitain (pastel) is thus made up of« Islands of meaning » It is heterogeneous, plural, and features snippets of crosses, bloody Christian nails, captioned with the word « relic »and the omnipresent writing of the name of Pythagoras which appears there unexpectedly, in the manner of a mathematical interference (what Autard calls « le bon sens ») in a mystical universe (which, as a play on words, he leads to become « le Bon Sang »). « Laughing to the extreme at puns, double meanings and analogies », thereby shifting the « sens »Autard builds bridges that bring together different fields, the logical order and the sacred order, « the analytical and the metaphysical », and even more directly Christ (the nails-relicsreliques) and the anti-Christ (Pythagore), offering Élisabeth Védrenne to interpret that « The loss of this blood led to the loss of meaning, then to the absence of the centre, then to the absence of the linear, leading in turn to the multiplication of beams, itself equal to the loss of the single meaning, to the reign of simultaneity. ». Thus, distributing the « Islands of meaning » that are the figurative motifs (here the nail and the bits of the cross) and the legends (here the words « relic » and « Pythagore ») into an abstract surface, deprived of a centre and yet geometrically organised in striations and multicoloured arabesques, the work finally suggests to Jean-Pierre Delarge a fragment of 1930s wallpaper.

From 1998 onwards, Georges Autard regularly travelled to the high places of Tibetan Buddhism (eight trips to Ladakh and Zanskar) and Zen Buddhism (four trips to Japan, where he studied the language), which inspired both his abstract series - the Prosternations inspired by the traces of Tibetan monks crawling on the ground - than semi-figurative Dessins sur papier untitled paintings that evoke monastic life. At the same time, other paintings lead him from quotations of Paul Cézanne, Claude Monet's Water Lilies, Pablo Picasso and Joseph Beuys to his Slogans (Paradise Now, My black is back, Wisdom and compassion…).